Tuesday, January 29, 2013

Blade Runner


My favorite scene in Blade Runner occurs when Deckard is sneaking into J.F. Sebastian’s home/empty apartment complex in search of Pris and Batty. As Deckard climbs up the complex’s stairs search lights, from helicopters above, pierce through the darkness. The lighting and sheer dreariness of the building are perfect examples of neo-noir film. Later, once Deckard has reached Sebastian’s apartment, he enters a room filled with robotic dolls and toys. The room is lit neon pink from a bright advertisement outside of the room’s window. Areas in the room not hit by the signs light are murky and distant. The colors and lighting produced in this scene further encapsulate the film’s neo-noir tone. Overall, Blade Runner is a fine film but at times I did have problems with the plot. For instance, why would the Tyrell Corporation make replicants that could not be distinguishable from humans. Despite a few snags in the plot, Blade Runner achieves its overall goal and firmly expresses its messages to the audience.

1 comment:

  1. I'm not sure if that is a plot hole. I might be wrong, but wasn't it explained at the very beginning of the film that Tyrell was creating the replicants to fill the workforce and make the world more efficient and productive while still seeming "human" and normal, hence why they were indistinguishable from humans?

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