The Five Obstructions follows a cinematic challenge posed by
Lars Von Trier to break his former tutor and close friend Jorgen Leth of his stale
objectivity. Jorgen's progression does give this documentary character
development, which imposes a narrative feel. However, I couldn't help but feel
that each of his recreations of “The Prefect Human” lack the quality of his
initial film (at least from what was shown of it during the film). I'm not sure
what exactly can be made of this: perhaps it represents either a link between
his previous objectivity and his success as a filmmaker, or a fluke in Von
Trier's obstructions. I think
ultimately, it’s an affirmation that any recreation of a work of art can never
successfully capture the essence of an original. The experiment however,
produced a poignant self-reflexive documentary, with just enough narrative to
keep the film from feeling dry.
No comments:
Post a Comment